The Basic Outline

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After you've come up with what you feel is a workable premise for a story, the very next action you will want to take is often the basic outline. This is a skeletal structure for the working body of the film, and is simpler than a step outline, which contains every scene in the film.

How should you begin?

The barest outline should really contain every major step in the story, which means that you will leave out most of the subplot elements. I subscribe to the idea of a four-part three act structure, as I find it a useful tool with which to build a story. One you've laid out the script with this basic structure in order to solidify its strong dramatic direction, then you can "personalize" it and make it a less of a traditional Hollywood style if you wish.

The four parts of a three act structure each have three subacts. Thus, if you were to lay out the structural skeleton, the minimum number of bones would look like the layout below, in which I have also labeled them with their corresponding structural elements as explained in the chapters on three-act structure.

For your elucidation, I will show you how this structural skeleton works for the film "Thelma & Louise."


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